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GEORGE FREDERICK HANDEL

23rdFebruary 1685 --- 14thApril 1759

George Frideric Handel was born in 1685 and died in England in 1759.  Handel was already  showing signs of a Musical talent as a
very young boy, while living in his native Halle, Germany. His father however wanted him to be a lawyer and was determined that
his son should not be distracted by his artistic pursuits. As a precaution, his father banned all musical instruments from the house
At times Handel was even kept away from the school in case he should learn musical notation.  It was this stern parental attitude
that would make the young man such a determined musician.

In later life, he also indulged his passion for the arts by building up a first rate private collection of paintings.  By the time he was
seven, Handel had learned the basics of playing a keyboard. A "dumb spinet",  a small clavichord with its strings bound in cloth to
deaden the sound had been smuggled into the attic, where Handel often stole away to practice. Around this time,  Handel's father
set off to the court of the Duke of Saxe-Weissenfels, where his elder son had a post in the Duke's retinue.

Told that he could not go, young Handel doggedly walked after his  father's carriage for several miles before the old  man relented
and allowed his son to make the journey. At Weissenfels, Handel discovered the chapel organ. He tried his hand on  it one day and
was overheard by the Duke,who was so impressed that he announced a genius in the making. The Duke called the boys father and
persuaded  him to  encourage his son's  exceptional  talent.  Back in Halle.  Handel  was sent to study  with the cathedral  organist
F.W.Zachow. Before long, he was playing the violin, oboe and the harpsichord,  but his special  talent was for the  organ Zachow's
lessons involved  imitating  the style  of other composers,  so Handel began  a lifelong  habit of  borrowing  good ideas  from other
people and using them in his own work.

In 1702 Handel went to Halle University to study law in an effort to  comply with his fathers wishes.  Before long however  he had
become the organist at the Calvinist Cathedral in Halle. His studies took second place eventually had to be abandoned altogether.
Thirty kilometres away,  in Leipzig,  the composer  Georg Telemann was  also a student  and the two men became  lifelong friends
exchanging letters filled with their views on life and music.  Almost half a century later, Handel was still  writing to Telemann and
sending him plants from his garden in England. The most vital influences on Handle's early career  came from the time he spent in
Italy. Here in the early 1700's he met and worked with Arangelo Corelli and Domenico Scarlatti.  In Rome,people marvelled at the
Saxon's organ playing. Handle took part in a famous contest of keyboard skills with Scarlatti, where he lost the harpsichord battle
but won the accolade for the best organist.

When Handel arrived in England for the first time, in 1710,  he was not unknown in London's music circles.  It was fashionable for
the well to do to make a grand tour of Europe, if they had not come across Handel in Germany,  they certainly would have in Italy
where he spent several  successful years writing operas.  He composed in  the Italian style then all the rage,  and his first offering
Rinaldo, to the London stage in 1711,  had the audiences on their feet.  Here was a man who could do something fresh,  his use of
the recorder passages to  simulate birdsong was often accompanied by the release of a flock of real sparrows into the auditorium.
Handel  already held  the post in Germany as musical  director to the Elector of Hanover,  to which he returned in 1711 after eight
months. But Handel was  fascinated by England, his second visit, in 1712,  was to last nearly 50 years, the rest of his life.

Now follows some facts on Handel.

1/ 1710 First visit to London                                                                   
2/ 1711 First London opera, Rinaldo staged                                         
3/ 1712 Settles in London                                                                       
4/ 1714 Elector of Hanover becomes King George 1 of England        
5/ 1717 Composes Water Music for the Kings River pageant             
6/ 1718 Appointed resident composer for the Duke of Chandos        
7/ 1720 Founds Royal Academy of Music                                              
8/ 1726 Takes British nationality                                                           
9/ 1727 Composes anthems for the Coronation of George II             
10/1728 John Gay's The Beggar's Opera produced, Academy closes    
11/ 1732 Performance of Esther ushers in era of the oratorio               
12/ 1734 Moves opera production to Covent Garden                              
13/ 1737 Suffers stoke, recuperates in France returns to England       
14/ 1738 Six Concertos for Organ and Harpsichord Op.4 published     
15/ 1740 Composes his last opera Deidamia.                                          

Last Updated on 2022
By Steven Ritchie

And now for the Music

New (3670)"Corrente, No.2". Sequenced by Steven Ritchie.

New (3663)"Allemanse". Sequenced by Steven Ritchie.

New (3662)"Gavotta Con Variazoni". Sequenced by Steven Ritchie.

(3657)"Sonata". Sequenced by Steven Ritchie.

(3656)"Sarabanda No.5". Sequenced by Steven Ritchie.

(3651)"Minuetti I and II (No.2 and No.3)". Sequenced by Steven Ritchie.

(3650)"Corrente No.1". Sequenced by Steven Ritchie.

Thanks to Ken Whitcomb for the music below. Email (kendawl@aol.com)

(3112)"We Will Remember Thy Name, The Wedding Anthem Princess Anne". Sequenced by Ken Whitcomb.

(3111)"Va tacito" from Giulio Cesare in Egitto". Sequenced by Ken Whitcomb.

(3110)"O God, Who in Thy Heav'nly Hand from Joseph and His Brethren". Sequenced by Ken Whitcomb.

(3109)"Let the Bright Seraphim from Samson". Sequenced by Ken Whitcomb.

(3108)"But Oh! What Art Can Teach from The Ode for St. Cecilia's Day". Sequenced by Ken Whitcomb.

(3a)"Cara Sposa from Rinaldo". Sequenced by Ken Whitcomb

Thanks to CRM114 for the following music below

"The Queen of Sheba". Sequenced by CRM114.

Thanks to Grant O'Neil for the music below. Email (oneilg @ iinet.net.au).

"Hallelujah". Sequenced by Grant O'Neil.

Thanks to Mike Boylen for the music below. Email (mikeboylen @ mweb.co.za)

"Messiah, Done in parts, No.1". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.1a". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.2". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.3". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.4". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.5". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.6". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.7". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.8". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.9". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.10". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.11". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.12". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.13". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.14a". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.14b". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.14c". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.14d". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.17". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.18". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.19". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.20". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.21". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.22". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.23". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.24". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.25". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.26". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.26a". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.27". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.28". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.29". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.30". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.31". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.32". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.33". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.34". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.35". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.36". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.37". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.38". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.39". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.40". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.41". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.42". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.43". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.44". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.45". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.46". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.47". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.48". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.49". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.50". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.52". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.53a". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.53b". Sequenced by Mike Boylen.

"Messiah, Done in parts, No.53c". Sequenced by Mike Boylen.

Thanks to Heinz Kannengiesser for the music below. Email (mail@heinz-kannengiesser.de)

(2306)"Symphony, from Messias". Sequenced by Heinz Kannengiesser.

(2307)"No.1, Comfort ye my People". Sequenced by Heinz Kannengiesser.

(2308)"No.2 Every valley shall be Exalted". Sequenced by Heinz Kannengiesser.

Thanks to Emily Gray for the music below. Email (HappyMusician@opendiary.com)

(2271)"Air, HWV 471". Sequenced by Emily Gray.

(2241)"March for Trumpets". Sequenced by Emily Gray.

Thanks to Randy Reid for the music below. Email (troppo@san.rr.com

(1994)"Sonata". Sequenced by Randy Reid.

Thanks to Scott Anderson for music below. Email (hi_desert01@hotmail.com

(1889)"Messiah,(originally sequenced by Peter Modin in 1998)". Resequenced by Scott Anderson.

Thanks to George Pollen for the music below. You find his website on my bookmark page

(871)"The Water Musik Suite, complete". Sequenced by George Pollen

(841)"Firework Suite, complete". Sequenced by George Pollen

Thanks to W.McGee for the following music below

(221)"His yoke is easy". Sequenced by W.McGee.

(222)"Let all the Angels of god worship him". Sequenced by W.McGee.

(226)"Unto which of the Angels said". Sequenced by W.McGee.

(227)"Behold the Lamb of God". Sequenced by W.McGee.

(228)"And he shall purify". Sequenced by W.McGee.

(230)"Worthy is thy lamb that was slain". Sequenced by W.McGee.

(26a)"Massiah No.1". Sequenced by Michael Petri.

(95)"Glory to God from Handel's Messiah,(Info by Donal Hurley)". Sequencer unknown.

(224)"Organ Concerto in G,(Info by Meredith Kennedy)". Sequencer unknown.

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