2ndJune 1857 --- 23rdFebruary 1934
Copyright 1994-1998 Encyclopaedia Britannica
Last Updated on 2021
By Steven Ritchie
And now for the Music
Thanks to Robert Finley, for the music below.
NEW (3482)"Enigma Variations". Sequenced by Robert Finley.
(64)"Pomp and Circumstance March No.4". Sequenced by Robert Finley.
(27)"Imperial March". Sequenced by Robert Finley.
Thanks to David Siu, for the music below.
NEW (3481)"Introduction and Allegro for Strings, Opus.47". Sequenced by David Siu.
NEW (3480)"Pomp and Circumstance". Sequencer Unknown.
NEW (3479)"Land of Hope and Glory". Sequencer Unknown.
Thanks to Edward Gold, for the music below, Email (egld@inr.net)
music below done in 16 or 32 channels in Roland GS format
(2920)"Symphony No.2, Opus.63, Mov.2. slow mov,(32 channels)". Sequence by Edward Gold.
(2912)"Symphony No.2, Opus.63, Mov.3. Rondo, Presto,(32 channels)". Sequence by Edward Gold.
(2298)"Concert Overture In the South (Alassio), Opus.50,(32 channels)". Sequence by Edward Gold.
(2299)"Concert Overture In the South (Alassio), Opus.50,(16 channels)". Sequence by Edward Gold.
(1247)"Symphony No.1, Ab major, Opus.55, 1st mov, Andante,(16 channels)". Sequence by Edward Gold.
(1236)"Symphony No.1, Ab major, Opus.55" 1st mov, Andante,(32 channels)". Sequence by Edward Gold.
(1745)"Symphony No.1, Ab major, Opus.55" last mov, Andante,(16 channels)". Sequence by Edward Gold.
(1612)"Symphony No.1, Ab major, Opus.55" last mov, Andante,(32 channels)". Sequence by Edward Gold.
(748)"Cockaigne Overture (In London Town) Opus.40,(16 channels)". Sequence by Edward Gold.
(749)"Cockaigne Overture (In London Town) Opus.40,(32 channels)". Sequence by Edward Gold.
(487)"Enigma, Variations,(Orchestral),(16 channels)". Sequence by Edward Gold.
(487a)"Enigma, Variations,(Orchestral),(32 channels)". Sequence by Edward Gold.
(1177)"Imperial March Opus. 32". Sequenced Goerge Pollen.
(75)"Sursum Corda". Sequenced by Ralph Van Zetten Thanks to James Pitt-Payne for the music below, Email (drjames@ntlworld.com)
(3005)"Pleading". Sequenced by James Pitt-Payne.
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