Ruperto Chapi Y Lorente page with free midi's to download

RUPERTO CHAPI Y LORENTE

27thMarch 1851 --- 25th March 1909

Ruperto Chapi was born in  Villena (Spain) on 27 March 1851.  He began work as a  cornet player in his native town band.  At age 16
he left Villena to study in Madrid, where  he enrolled  the Conservatory of Music. At the same time he was a member of the orchestra
of two theatres.  In 1871 he composed   Abel a  zarzuela  (an opera with  spoken parts)  which was requested  by Emilio  Arrieta,  his
composition teacher at the time,  but which was not premiered  for some reason  until 1873.  He secured a post as  music director  in
the Artillery Steveniment and was awarded with the first prize at the Conservatory, sharing this honour with Tomás Bretón. Later he
was  awarded a  scholarship to  the Rome  Fine  Arts Academy  after  composing  an  opera,  Las Naves de Cort,  which was a  notable
success at Madrids Teatro Real.

His  stay abroad,  dividing his  time  between Rome,  Milan  and Paris,  lasted almost four years.  In this period he  composed  several
operas and the  oratorio Los Angeles. On 11 February 1878 the opera Roger de Flor, sketched during his stay abroad, was staged for
the first  time  at the Teatro Real.  On October that same year,  after feeling unhappy with the musical  atmosphere of Paris,  he then
renounced his  scholarship and  resigned from his post in the  Steveniment.  On 27 April 1879, he then premired  his orchestral  suite
Fantasia'eda  Morisca,  Tomás Bretón  as conductor.  The same  orchestra  premired later  in this  year his  Sinfonia and his Polaca de
concierto.  He decided to concentrate in the composition of zarzuelas,  genre that he would be  associated with for the rest of his life.

In the  following two years  he  composed several  zarzuelas,  M'fasica cl'e1sica, La calandria,  Madrid,  Las dos hurfanas,  La calle de
Carretas,  but the work which had the greatest effect on his career was La Tempestad,  a resounding success at Teatro de la Zarzuela
in 1882.  From  then on,  Chapi's reputation  created  a veritable idolatry  among his  supporters. In the following  years he  premired
other works,  but it was in  1887 that one of Chapi's  masterpieces was  created: La bruja based on a  legend from a Pyrenees  valley.
The ensuing years signified the consolidation of Chapi's fame in the terrain of musical theatre.

In 1889,  at Arrietas suggestion, participated in a music competition composing Los gnomos de la Alhambra,  a symphonic poem that
gained  notable  popularity in Spanish concert societies over the ensuing years.  The zarzuelas Las hijas del Zebedeo and  El cocodrilo
date from the same year.  His next great success was El rey que rabi premired in 1891.  In 1892 Chapi's popularity continued to grow
with works such as El tambor de granaderos,  Las brav'edas and, in 1897,  La Revoltosa.  The following years brought the premires of
works including Pepe Gallardo, La chavala, Los hijos del batall and, above all, Curro Vargas. In 1899 he founded the Sociedad General
de  Autores,  to protect the  rights of composers  and authors.  In 1902 he  was involved as  artistic director  in the birth of the Teatro
L'edrico, but the project never completely took shape. This is the year of El pu'f1ao de rosas, one of his biggest successes.

Chapi's  continued to  add more works  to his already vast  output until  the end of  his life. A collection of four  string quartets is  now
being rediscovered. However,  the idea  of  writing a   magnum opus, a kind of grand lyrical testimony, in defence of a  Spanish  opera
came from afar, and was one of his life-long struggles. This produced Margarita la Tornera, which was premired on 24 February 1909.
A few days later, on 25 March, Chapi died of a heart attack, caused by a bout of pneumonia.

I would sincerely like to thank Ramon Pajares Box, for creating and sending me the above text.

Last Updated on 2017
By Steven Ritchie

And now for the Music

Thanks to Ramon Pajares Box for the music below.

(772)"La Revoltosa (1897), Preludio". Sequenced by Ramon Pajares Box

(773)"La Bruja (zarzuela, 1887), Jota". Sequenced piece by Ramon Pajares Box

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