JOHANN SEBASTIAN BACH

21th March 1685 - 28thJuly 1750

Johann Sebastian Bach(1685 - 1750) One of the greatest musicians of the world. He was Born at Eisenach of a family of noted musical talent the influence of several members of which upon their relative was in some degree responsible for the great result, Before Bach was 10 his father, Ambrosius died.

The boy was brought up by his brother Christoph, an organist at Ohrudruf who withheld from him a MS. of organ compositions by great masters, perhaps from jealously, but possibly only for some misguided disciplinarian reason. However, Bach obtained access to the book, and copied it by moonlight. But the copy was taken from him when it was discovered, although the work had taken the boy 6 months to accomplish. His beautiful soprano voice gained him a place in the choir at St Michael's school at Luneberg, where he practice as an accompanist on the harpsichord and after his voice broke as a violinist.

This was in 1700, and 3 years later he obtained a royal appointment at the court of Weimar, where he became acquainted with Italian music. The same year he became organist at the new church of Arnstadt, and here he began to compose. His brother's enlistment with the Swedish Guard, led to the composition in 1704 of the "Capriccio on the departure of a Brother", which was followed and also preceded by several of his church cantatas. At this time Bach obtained permission to go to Lubeck in order to hear the great Danish organist, Buxtehude, then 68 years old. In his enthusiasm, he over-stayed his leave, and this, with other reasons, led to a fresh appointment at Muhlhausen in 1707. He stayed here only a year, during which he married a cousin, Maria Barbara Bach. In 1708, aged 23 he returned to Weimar as court organist.

Here he spent 9 years, and composed a number of church cantatas, while a close study of Italian masters gave him a thorough mastery of their style, the foundations being thus formed for his later instrumental work. On one journey from Weimar in 1717 a quarrel arose between the supporters of Bach and those of the French organist Marchand, and a contest was arranged at Dresden. On the day fixed for the trial the French musician was nowhere to be found, genuine acknowledgment of Bach's superiority rather than jealousy or fear being the causes of his flight. In 1717 Bach, left Weimar for the service of the Duke of Anhalt-Cothen, and in 1720 his wife died, in the following year he married Anna Magdalena Wilcken, who assisted him by copying his musical scores. It was then that Bach began the composition of his suites, and the first half of the Forty-eight Preludes and Fugues was also written at Cothen, though many years separated the first from the complemental portion.

In 1723, after some difficulty, Bach was appointed to the vacant position of canter of the St Thomas School at Leipzig. Here he wrote all his finest choral work which includes the 2 settings of the story of the Passion and the Mass in B minor. In 1733 he presented 2 movements from the latter composition to Frederick Augustus, and received the title of Hofcomponist. In 1747 he visited Frederick the Great at Potsdam. The king, himself a musical amateur, received him with great Stevenard. A few years later Bach's eyes became painfully troublesome, and total blindness resulted from an operation. Apoplexy caused his death, aggravated by the remedies used during the operation. In his many clavier and harpsichord pieces Bach introduced improvements in fingering, though modern fingering came only with Clementi (1752-1832). Bach was an expert at tuning keyboard instruments and wrote 2 sets of preludes and fugues in all the major and minor keys. As an organist he was supreme in his day and his organ compositions include many Preludes and Toccatas with Fugues, Fantasies and particularly the 143 Chorale Preludes (q.v.) designed to introduce the hymn of the day in church.

Last Updated on 6th July 2004
By Steven

And now for the Music

I like to thank Joćo Rocha for the following music, to contact Joćo please Click Here,

(2800) "Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit" (Actus tragicus)I. Sonatina. Sequenced by Joćo Rocha

I like to thank Geoff Retallick for the following music, to contact Geoff please Click Here,

(2653) "Siciliano, Arranged for Flute with Guitar accomp" in Real Time. Sequenced by Geoff Retallick

I like to thank Tony Matthews for donating & sequencing the following piece, email TONY, and let him know what you think.

(2438)"The Double Violin Concerto in D minor, BWV 1043. (Complete) : (2 Violins and Piano Reduction)". Sequenced by Tony Matthews. This a large file please click here for pkunzip

(2439)"The Toccata and Fugue in D minor, BWV 565. (Busoni Piano Arr.)".A lovely sequenced by Tony Matthews.

My thanks to Sandy MacDonald for the following lovely pieces, to contact please email SANDY.

(2380)"Bradenurg No 6 for three guitars. " a lovely sequenced by Sandy MacDonald.

My thanks to J.Byron for the following lovely pieces, to contact please email J.BYRON.

(2214)"BWV 974", done for strings & piano a nicely sequenced by J.Byron

I like to thank Emily for the sequencing the following piece, to contact please email EMILY.

(1893)"Courante from the First suite for solo cello" Sequenced by Emily Gray

I like to thank Bruce W. Leslie for the following lovely pieces, to contact please email BRUCE.

(1838)"Brandenburg No.2, Mov.1", a nicely sequenced by Bruce W. Leslie

(1839)"Brandenburg No.2, Mov.2", a nicely sequenced by Bruce W. Leslie

(1840)"Brandenburg No.2, Mov.3", a nicely sequenced by Bruce W. Leslie

I like to thank John Briggs for the following lovely pieces, to contact please email JOHN.

Please check these texts files or herefor the german text on the pieces below.

(1692)"Max Stevener, a Piano version of Bachs two part inventions No.1", a lovely sequenced by John Briggs

(1693)"Max Stevener, a Piano version of Bachs two part inventions No.2", sequenced by John Briggs

(1694)"Max Stevener, a Piano version of Bachs two part inventions No.3", lovely sequenced by John Briggs

(1695)"Max Stevener, a Piano version of Bachs two part inventions No.4", sequenced by John Briggs

(1696)"Max Stevener, a Piano version of Bachs two part inventions No.5", sequenced by John Briggs

(1697)"Max Stevener, a Piano version of Bachs two part inventions No.6", sequenced by John Briggs

(1698)"Max Stevener, a Piano version of Bachs two part inventions No.7", sequenced by John Briggs

(1699)"Max Stevener, a Piano version of Bachs two part inventions No.8", sequenced by John Briggs

(1700)"Max Stevener, a Piano version of Bachs two part inventions No.9", sequenced by John Briggs

(1701)"Max Stevener, a Piano version of Bachs two part inventions No.10", sequenced by John Briggs

(1702)"Max Stevener, a Piano version of Bachs two part inventions No.11", sequenced by John Briggs

(1703)"Max Stevener, a Piano version of Bachs two part inventions No.12", sequenced by John Briggs

(1704)"Max Stevener, a Piano version of Bachs two part inventions No.13", sequenced by John Briggs

(1705)"Max Stevener, a Piano version of Bachs two part inventions No.14", sequenced by John Briggs

(1706)"Max Stevener, a Piano version of Bachs two part inventions No.15", sequenced by John Briggs

(1678)"Max Stevener version of Bachs two part inventions No.1", a lovely sequenced by John Briggs

(1679)"Max Stevener version of Bachs two part inventions No.2", sequenced by John Briggs

(1680)"Max Stevener version of Bachs two part inventions No.3", sequenced by John Briggs

(1681)"Max Stevener version of Bachs two part inventions No.4", lovely sequenced by John Briggs

(1682)"Max Stevener version of Bachs two part inventions No.5", sequenced by John Briggs

(1683)"Max Stevener version of Bachs two part inventions No.6", sequenced by John Briggs

(1684)"Max Stevener version of Bachs two part inventions No.7", a lovely sequenced by John Briggs

(1685)"Max Stevener version of Bachs two part inventions No.8", a lovely sequenced by John Briggs

(1686)"Max Stevener version of Bachs two part inventions No.9", sequenced by John Briggs

(1687)"Max Stevener version of Bachs two part inventions No.10", sequenced by John Briggs

(1688)"Max Stevener version of Bachs two part inventions No.11", sequenced by John Briggs

(1689)"Max Stevener version of Bachs two part inventions No.12", sequenced by John Briggs

(1690)"Max Stevener version of Bachs two part inventions No.13", a lovely sequenced by John Briggs

(1717)"Max Stevener version of Bachs two part inventions No.14", sequenced by John Briggs

(1673)"Max Stevener version of Bachs two part inventions No.15", lovely sequenced by John Briggs

I like to thank Michael Figueroa for the following pieces, to contact please email MICHAEL.

(1666)"Bach's Double Violin Concerto, Mov.1", a lovely sequenced by Michael Figueroa

(1667)"Bach's Double Violin Concerto, Mov.3", a lovely sequenced by Michael Figueroa

I like to thank John Briggs for the following piece, to contact please email JOHN.

(1673)"Max Stevener version of Bachs two part inventions", a lovely sequenced by John Briggs

I like to thank Carl Bertram for the following piece, to contact carl please CARL.

(1668)"Two Part Invention in F Major, Variations, a lovely sequenced by Carl Bertram

(782)Two-Part Invention in B-flat Major,(Info kindly supplied by Virginia S Moe & Edward Gold) sequencer unknown

(1165)'Et incarnatus est'from Bach's B-minor Mass, BWV232" (Info kindly supplied by Bruce Arnold & Stephen Hoddell). Sequencer unknown

(1166)Another piece from Bach's B-minor Mass, BWV232", Sequencer unknown

(1036)Allen Gary feels this a Prelude and Fugue in Bb. If this is BWV 898,it is now considered "doubtful." sequencer unknown

(782) "Two-part invention" in b flat major, for harpsichord BWV 785(Info kindly supplied by Vinzenz Haab and Debbie Hahn Hong Kim) sequencer unknown

I like to thank George Pollen for donating the following fine crafted music files.

(776) "Passaglia and Fugue in C minor" a piece sequenced by George PollenLarge file please click here for pkunzip.exe

(708) "Preludium" beautifully sequenced by George PollenLarge file please click here for pkunzip.exe

(707) "Jesu Joy of Man's Desiring" another finely sequenced piece by George Pollen

(559) "Badanerie" beautifully sequenced by George Pollen

(559) "Air on the G string" Nicely sequenced by George Pollen

(585)Donal Hurley names the piece (A Roman Catholic hymn) "Praise to the Lord the Almighty" but in fact is derived from "LOBE DEN HERREN" and comes from "Stralsund Gesangbuch," 1665 (this info kindly supplied by Harold R. Nichols).. Seq ?

(559) Finale of Bach's Brandenburg Concerto No. 4. (Info kindly supplied by Donal Hurley). Seq by?

(564) Preludio, from Partita III in E Major BWV 1006 (Info kindly supplied by Natalie Jankowski). Sequencer unknown

Bach, Badinerie(1)Seq by Ralph Van Zetten

Bach, (6)Harpsicord Suite Sequenced by John Sankey

Bach. (7)Suite in E No,833 Seq by ?

Bach, (40)Famous Toccata and Fugue in D Seq by Kenneth J Settleayer Jnr

First Mov in E Major, Volin Concerto (69) (Info kindly supplied by Ed. Large file please click here for pkunzip.exe) Has anyone got a better version Concerto Seq by ?

Bach?, (80)Gallia Seq by ?

Bach, (98)Badinerie Aus Der 2 Ouvert Very Good Seq by Ralph Van Zetten

Bach, (106)The art of fugue Contrapunctus Xl  Seq ?

Bach, (109)Unknown piece quite nice and lively Seq?

Bach?, (112)Praeludium in D  moll, a good organ piece Seq ?

Bach, (150)3rd English Suite expertly done Seq by David Siu

Bach, (161)Prelude No.1 Donated by Glenn Reynolds

Bach, (162)Brandenburg Concerto a excellent piece.Large file please click here for pkunzip.exe Seq by ?

(127)Prelude in F sharp minor BWV 859a Well Tempered Clavier Book 1 (Info kindly supplied by Gary K Allen) Seq ?

Composer ? (348)Fugue in C BMV 846b Well Tempered Clavier Book 1 (Info kindly supplied by Gary K Allen) Seq by ?

I would like to thank Matt Dolmage for donating the following Bach files, which he obtained from the Bach Central Station, which contains many 100's of excellent Bach files.

Minuet in G (251) Donated to my page by Matt Dolmage. Seq by Matt Dolmage

(25a) Brandenburg Concerto, Large file please click here for pkunzip.exe Seq by ?

(291) aria from the St Matthew Passion BWV244 (Erbarme dich)(Info kindly supplied by Franēois de Dardel), a nice crafted piece Seq by ?

(292) Prelude and Fugue BWV 522 Seq by Dean & Alice Lampe

(293) Fugue BWV 577 Seq by ?

(294) Clavierubung Part 111,Duet No.2 in F Major BWV 803 Seq by David Jao

(295)Partita 4 in D BWV 828 (Info kindly supplied by Gary K Allen. Large file please click here for pkunzip.exe) Seq by ?

(296) Prelude and Fugue in D BWV 850 Seq by S.D.Rodrian

(297) Prelude and Fugue in C Sharp BWV 872 Seq by S.D.Rodrian

(298) Prelude and Fugue in A, BWV 888 Seq by S.D.Rodrian

(299) Tocatto No.1 in F Sharp Minor, BWV 910 Seq by David J Grossman

(300) Partita No.2 in D Minor Seq by David J Grossman

I would like to thank "Sir Vocalise" for the following two files which he has sequence and allowed appear on my page.

(340)Lute Suite No.4 in E Major 1.Prelude - BWV 1006,kindly donated and seq by Sir Vocalise

(341)Lute Suite No.4 in E Major 2.Loure - BWV 1006,kindly donated and seq by Sir Vocalise

I would like to extend my grateful thanks to Welton Barker for the following three files which he has sequence and donated to my page, for your listening enjoyment.

Bach--Concerto for Two Harpsichords No.11 Seq by Welton Barker, this is a large fileclick here for pkunzip.

Bach--Concerto for Two Harpsichords No.12 Seq by Welton Barker

Bach--Concerto for Two Harpsichords No.13. Seq by Welton Barker, this is a large fileclick here for pkunzip.

Bach B Minor Mass, movement 15: Et incarnatus & Crucifixus (Info kindly supplied by Michael Z). Seq by ?

Bach "Sheep may safely graze" from Conatate 208. Seq by M.Sai

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